It seemed wrong, somehow, to place his hands on her, though he’d been the only living mortal to speak to her for months. So Cleo stood slightly aside and watched the fading twilight as Tonan placed her comatose body gently into the wagon.
Cadence.
The name connoted music, but he never saw the theatre come alive with song. He never saw his own play take shape there. He never lived there, as he might have, or learned how Cadence really felt about the world around her. Those were all just fanciful ideas, he supposed.
Instead, he’d only come to know the Cadence he could contact in brief interludes through Sending, the Cadence whose spirit was no longer in this world, captivated by memory, free from care, disconnected, wise.
He’d come close, a few times, to bringing her back. He’d figured a way to force it, to make her see herself lying in her room, listless, inert. But he’d imagined the shock of the sight would kill her. So he’d relented, and let it come to this.
Cleo nodded to Tonan--a curt gesture of respect to another one he’d hardly known--and watched him climb up to his place beside the driver and say "Moonshaes".
"Moonshaes." He liked the sound of it, if only because it made him think of Jay.
"Moonshaes."
He gave Cadence’s form one last look. In the gloaming, finally resting beneath sky instead of ceiling, she seemed flowing, ethereal, beautiful in repose--languid moonlight on water lilies.
He said a little prayer for their safety and happiness, then watched as the wagon lurched to a start and slowly made its way around the bend.
He waited until he could see them no longer, then wandered to a stop atop the waterfall, where he stood awhile and watched the cascading current tumble down, down, to its tumultuous end.